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Atomos Shogun Inferno 7″ monitor
The Atomos Shogun Inferno is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
Bundle: Atomos Shogun Inferno monitor/recorder, director’s cage, gold mount plate, 3x batteries, AC adapter, BNC cable, SSD media.
Manufacturer’s page
Display
Type 7.1″ (18 cm) IPS capacitive touchscreen
Resolution 1920 x 1200
325 ppi
Bit Depth 10-bit (8-bit plus FRC)
Video Aspect Ratio Native: 16:9
Brightness 1500 cd/m²
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI (2.0)
4 x 3G-SDI Quad/Single 12G-SDI (BNC) —
1 x Genlock / LTC (BNC)
1 x 2.5 mm LANC
2 x XLR (included LEMO breakout cable required)
Outputs 1 x HDMI (2.0)
1 x 12G-SDI (BNC)
2 x XLR Out (included LEMO breakout cable required)
1 x 3.5 mm headphone jack
Supported Video Format
Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
Output: 10- / 8-bit 4:2:2 (dependent on video source)
Input/Output Resolutions HDMI:
2160p 24/25/30/50/60
1080p 24/25/30/50/60/120/240
1080i 50/60
720p 50/60
SDI:
2160p 24/25/30/50/60
1080p 24/25/30/50/60/120
1080psf 24/25/30
1080i 50/60
720p 50/60
Video Signal Conversion HDMI to SDI:
2160p 24/25/30/50/60
1080p 24/25/30/50/60/100/120/
1080i 50/60
720p 50/60
SDI to HDMI:
2160p 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60
Encoding Formats DCI RAW 4096×2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MKII, Canon C500):
Apple ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB
UHD 4K (3840 x 2160):
Apple ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB
1920 x 1080
Apple ProRes HQ, 422, LT
DNxHD 220x, 220, 145, 36
Pulldown Conversion 24/25/30psf to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown)
Supported Codecs Raw to ProRes/DNxHR
Apple ProRes: HQ, 422, LT
AVID DNxHR: HQX. HQ, SQ, LB
Frame Rates
4K DCI / 4K UHD: 24/25/30/50/60p
SF: 30/50/60/100/120/200/240p
Video to ProRes/DNxHR
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame Rates
4K DCI / 4K UHD: 24/25/30/50/60p
SF: 30/50/60/100/120/200/240p
Supported Audio Formats
HDMI 2- or 8-channel, up to 24-bit (camera dependent)
SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
Dynamic Range >90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Phantom Power +48 V phantom power for XLR inputs
Remote Operation
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media
Supported Media 4K
2.5″ SSD
HD High Frame Rate (50/60/120p):
2.5″ SSD
2.5″ HDD (7,200 rpm and up) for 1080p 50/60
HD (30p and less):
2.5″ SSD
2.5″ HDD (5,400 rpm and up)